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Over time, in bureaucratic fashion, the loyalties of local officials were deflected. The Gurmani clan lived in an adjoining area and, suddenly having become so important, began to make its presence felt. Mushtaq Ahmed Gurmani became governor of the Punjab. The men of the Khar family were content with their isolated domain, and saw no reason to expand the scope of their vision, until the time-old pattern of power-worship gave them a jolt. Somewhat chastened, Mustafa returned to his village and - in typical feudal fashion - was forgiven by his elders. Even as Firdaus was in the hospital recuperating from Billoo's birth, Mustafa sent her divorce papers. All this responsibility proved too much for Mustafa, who now decided that he had confused sympathy with love.
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And within a year a second son, Billoo, was born. He married her on impulse, and in the course of time Firdaus gave birth to a son, bearing Mustafa's surname. To Mustafa, the fallen Firdaus was a victim of society. When Firdaus discovered that she was pregnant, the man fled and Mustafa provided a comfortable crying shoulder. Meanwhile, in Murree Mustafa befriended a man who had an attractive and somewhat educated sweetheart Firdaus. She bore Mustafa's first son, Abdur Rehman. But at least she was spared the indignity of returning to her parents' home as a divorcee - which, in the feudal system, is a dismal destiny. Her humiliation was compounded when the elders dissolved her marriage to Mustafa and gave her to her much younger brother-in-law. For their part, the women were fascinated by this wealthy young feudal chieftain who bemoaned his enforced marriage.īack home, Wazir suffered in silence. He scoured the market, inspected the wares and hired the services.
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He lacked the social graces necessary to approach such an ice-maiden at the moment, he could only lust from a distance.Īt the hillside resort of Murree, Mustafa met women who purveyed their charms for a price, and he discovered that he wasĬomfortable with professional sex.
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Here he was fascinated by such mysteries as the sight of a woman with a stylish hair-do sitting cool and poised behind the steering wheel of a shiny car. Mustafa ran away from his village and his fate, fleeing first to Multan and then to the great city of Lahore. When he was barely seventeen, at the decision of his father, Mustafa told me later, he had married his illiterate cousin, Wazir, who was many years older than him.
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He learned how to lure, entice and entrap. And through hunting he grasped the importance of strategy and tactical manoeuvring.
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In addition to literature, the book considers examples of villainy in film, TV and media, revealing that performance, performative control and maneuverability are the common characteristics of villains across the different literary and filmic genres and eras studied in the volume.Aught Mustafa courage, endurance and patience. The volume covers medieval literature to contemporary literature and also examines important aspects of evil in literature such as social and political identity, the gothic and systemic evil practices. This collection brings together scholars and artists with different institutional standings, cultural backgrounds and (inter)disciplinary interests with the aim of energizing the ongoing discussion of the generic and thematic issues related to the representation of villainy and evil in literature and media. Performativity of Villainy and Evil in Anglophone Literature and Media studies the performative nature of evil characters, acts and emotions across intersecting genres, disciplines and historical eras.